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​NEW RELEASES

​An Encyclopedic Dictionary of Interpersonal Psychotherapy: Terms and Concepts

An Encyclopedic Dictionary of Interpersonal Psychotherapy: Terms and Concepts provides a comprehensive collection of terms and concepts used in, and relevant to, the field of interpersonal psychotherapy, also known as "IP." These terms and concepts are drawn from the work and primary sources of Harry Stack Sullivan, M.D., the founder of IP, a major school of clinical practice. With more than 2,000 referenced citations from the collected works of Harry Stack Sullivan, definitions of 900+ terms and concepts, biographical entries for more than 300 major figures in psychology and the life of Harry Stack Sullivan, and a comprehensive bibliography of primary sources, this encyclopedic dictionary is an ideal reference text for students, researchers, and libraries.

RECENT TITLES

​The Behavioral Mind:
A Journal of Personality Disorders

​Vol. 1, no. 2 Fall 2018

A new journal in the psychological sciences, TBM focuses on the discussion and dialogue between humanistic psychology and the DSM.  Visit The Behavioral Mind for more information and to read article abstracts.​​

The Fall 2018 issue includes articles by scholars in the psychological sciences and professionals in the medical field as well as featured authors with new books in psychology.

​​The Behavioral Mind:
A Journal of Personality Disorders

​​Vol. 1, no. 1 Spring 2018

This new scholarly journal focuses on the discussion and dialogue between humanistic psychology and the DSM.  Visit The Behavioral Mind for more information and to read article abstracts.​

The Spring 2018 inaugural issue includes articles by scholars and professionals in private practice, and abstracts of recent doctoral dissertations featuring the research of emerging scholars. 

Woke Horror: Sociopolitics, Genre, and
Blackness in Get Out

Jordan Peele’s film Get Out (2017) has, in a short time, created a noticeable impact on American film through a presentation of phenomenological experiences of racism against Blacks in contemporary U.S. society, controlling the normally White gaze of Hollywood. Woke Horror explores the film’s position within the sociopolitical horror genre and, more broadly, its place within American zeitgeist cinema. ​ ​ ​​(Read more.)​
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